At a distance, a Klimt image can read as a field of warm colour. Move closer and the surface breaks into shapes, flowers, faces and intricate pattern. That change of scale is a large part of the pleasure of living with it.
The Kiss, pictured here as a reproduction, offers both an intimate subject and a highly decorative composition. It can become the centre of a room without needing a large collection of objects around it.
The gold in the original
The Belvedere describes The Kiss as a work from Klimt’s Golden Period, combining gold leaf with painted materials. That history explains the original’s distinctive surface. A paper reproduction translates its colour and imagery into print; it does not reproduce the physical gold leaf or promise a metallic finish. Read the Belvedere’s account of the work.
Give detail somewhere to rest
Pattern is most enjoyable when the eye has a quieter area nearby. Consider placing the print against a plain wall, above a simple cabinet or beside a chair with an uncomplicated silhouette. The surrounding objects can be interesting without all being equally intricate.
Try a few positions before settling on one. A work rich in small details benefits from somewhere you can approach it, as well as see it across the room.
Work with the whole palette
Warm yellow is only part of the picture. Dark passages and small areas of other colour can provide useful connections to furniture or textiles. Look at the complete image before deciding that it needs a gold-coloured frame or a room full of warm tones.
A black frame can define the edge; natural timber can make a softer transition to the room. White can introduce more separation. Compare the available finishes against the actual wall colour rather than choosing from the product image alone.
One work, or a conversation
If the print will be part of a gallery wall, let it have a clear role. Pair detailed imagery with something quieter, or repeat one colour across otherwise different subjects. Avoid placing every strong focal point at the same height and scale without testing the group first.
Browse Galrie’s Klimt prints for different balances of portraiture, colour and ornament.
